Sunday, May 16, 2010
Ravelry Rigid Heddle Weavers Week-end in Flitwick
The week-end had been organised by Janet Ellison and she had worked so hard that it had been fully booked well in advance and she had already thought about a second week-end before we even started the first!
It had been billed as a beginners week-end, with "trouble shooting" for those who could already weave. 14 lovely ladies had booked on the course and soaked up all the information that I could give them!
Here is Jan, our wonderful organiser, weaving "pick and pick", in other words, weaving one pick or weft thread in one colour and the next in different colour.
Jan is very modest, her work, whether knitting or weaving, is so beautiful, neat selvedges, beautiful colours and sett.
The hall at Flitwick was huge and very light, as you can see. I've never seen so many women, so quite! Everyone was getting on with their work, totally engrossed in weaving.
Brenda had borrowed a loom and had been given suitable yarn from her local guild. Her first attempt had been excellent. Beautiful straight selvedges, although the yarn had been a tad too thick for the heddle on the loom. She had so enjoyed the processes, though, that she purchased a loom and can be seen, here, weaving a beautiful pink and grey alpaca scarf.
There had been a range of rigid heddle looms, Ashfords, both the Knitters Loom and the rigid heddle, Kromski's, old Dyrads and Becks brought a beautiful little "two way" loom she had got from Ebay. It was lovely to see her weaving her own handspun on this little loom and here is the result.
A range of skills were learnt, and on the left you can see Elaine knotting her ends against the fell of the cloth (where the last pick, or weft thread, meets the bare warp ends, or threads). She used some lovely textured yarns which gave the impression of a beautiful bluebell wood!
You can see three blue stripes in the scarf where Elaine had a really good go at chaining.
Here, Beth is working a hand manipulated technique called Brookes Bouquet. In this technique, groups of warp ends are wrapped with the weft yarn and anchored with a half hitch.
Beth's little scarf had slit woven at one end so that it would sit snuggly round the neck. She had used a lovely harmonious range of textured yarns.
After taking the scarves off the loom, they were all checked for skips and then mended before washing.
Chelle can be seen mending her vibrant scarf on the left. Mending is a really important skill, knowing whether to mend the warp or the weft and where to cut the mended thread. She can be seen mending warp skips with a new weft thread.
The group were shown two methods of finishing ends on their scarves, knotting and hemming. Jill can be seen hemming the beginning of her second scarf. She used a range of yarns including eyelash yarn and fancy tape yarns.
There were two sets of Mothers and Daughters. Jill shows her textile training, here with her eye for colour and texture. Her daughter Ellen had been booked on the course by Jill, who knew she would love weaving and she was right. Ellen took to it like a duck to water and her second scarf can be seen below!
Ellen can be seen here using her Mum's Kromski loom and weaving her Mum's hand spun yarn as the weft of her second scarf.
When Jan had first advertised the course, way back in January, Emma had been so excited and had emailed me to order a rigid heddle loom.
She can be seen on the left almost at the end of her first scarf in green and blue. Her selvedges were so neat and I can't wait to see her "finished" scarf.
Jaq had quickly woven her first scarf, she wasn't a complete beginner, having woven one piece previously, and re-warped her loom with her own hand spun yarn.
To show off her yarn she had chosen a wide sett and wove her weft with a "crammed and spaced" effect. It was really lovely and can be seen below.
Here is a close up of Jaq's hand spun and hand woven "crammed and spaced" scarf.
The other Mother and Daughter duo where Lynda and Becky.
Becky used the "meet and separate" technique in her second scarf of wool and linen from Louet. I'd heard about this yarn, but never seen it and was very impressed with it.
Here is Lynda, showing off her "finished" wool and linen scarf. Notice how good her selvedges are!
Jill is picking up groups of warp ends to enable her to make a different patterns or inlay thicker yarns.
Catherine had already done some weaving before and has a 4 shaft table loom. She had never done any rigid heddle weaving before. She rose to the challenge really well, producing two beautiful scarves. Her second had some lovely texture in the warp and enhanced that at either end with chaining.
You can see the "till roll" used to determine the length of the weaving, placement of detail and slits that Catherine used.
I had a really enjoyable time, tutoring this workshop, and was amazed how far some of the students had travelled. Eastbourne, Manchester, Southampton and Bridgenorth were but a few of the places they had travelled from.
By the time the week-end was finished, nine people had booked on the 2nd course in October, but by the middle of the following week it was fully booked! Well done Jan and thanks for asking me to tutor the workshops. I find it so rewarding when I'm allowed to pour out my knowledge to such responsive people.
Thursday, May 06, 2010
Sustainability
It began with the Rebecca Early lecture and workshop at Nottingham Trent University. Becky has been doing a lot of research into sustainability and with a group of lecturers at the Chelsea College of Art and Design set up TEDResearch. Please take a look at Rebecca's website and at the TED website which has some interesting and very useful resources and while you're there don't forget to sign up for their newsletter!
Last week saw me at NTU again, for the Private view of Akihiko Izukura's exhibtion, Life in Colours. Running alongside the exhibition has been a set of four workshops which explore Mr Izukura's philosophy of natural textiles, Spinning, Reeling, Dyeing and Weaving and Braiding.
The exhibition is a revelation and a profusion of colour! Who said natural dyeing was boring! If you've in the Nottingham area is really is worth tracking down the exhibition at NTU's Bonington Gallery, your won't be disappointed unless you hate colour! If weaving is your thing, you won't help being amazed at the skill of his weaving of traditional sashes, Obi, or his skill in braiding which is manipulated to fit the body.
The morning following the Private View I attended a Spinning workshop with Mr Izukura. It wasn't what I'd call spinning, but was very interesting, never the less. We had six silk worm cocoons that had been de-gummed and which contained two silk worms. These "double" cocoons are not good for reeling as the two silk worms in the one cocoon cause the silk filament to tangle. We pulled the softened cocoons into rectangles then moulded them over balloons and plastic to form 3D shapes, which were then painted with rice paste to stiffen then when the paste dried.
The afternoon was followed with the Natural Dye workshop, which for me was so wonderfully refreshing and completely different to any natural dyeing that I do. I chose to dye a silk scarf which had been woven in Mr Izukura's factory in Kyoto, Japan. The warp was spun silk and the weft was noil silk and took the dyes beautifully.
I wetted my scarf, pleated it diagonally, forming a small triangle which I then pleated across the triangle and tied with two elastic bands. I dipped one end in logwood, the other in cochineal, the top of the centre in walnut and the bottom centre in clove.
To fix the dyes I dipped the whole scarf in Camillia Ash water, then dipped the ends in fermented iron water. This picture really doesn't do the colours justice. What was amazing in this workshop was that we didn't use any heat and the dipped very quickly!
I was back again this week for a Reeling Workshop, where we reeled six cocoons into 3D shapes over balloons and plastic cylinders. Very similar to the Spinning workshop, but using the filament silk rather than the noil. We spent the afternoon weaving and braiding naturally dyed paper yarn into an interesting "neck piece".
My whole practice has been questioned by these events, how can I make my practice more sustainable and how do I take on board Mr Izukura's philosophy, putting nature before ego and practice!
So much food for thought.
Monday, March 29, 2010
Make your own Fabrics!
Have you ever wondered how wonderful it would be to make your own fabrics, whether for suitings, skirts or for cushions, for example?
Do you think you need a huge loom that would fill your dining room? Do you think that all you can weave on a simple loom is scarves and table runners?
Well you might be pleasantly surprised! Most of the introductory courses I teach are on simple and affordable looms that not only allow you to weave scarves, but beautiful fabrics that can be used to make clothes.
If you attended one of the courses I run for Skylark Holiday, for example, such as the Introduction to Weaving course you would:
- Learn to warp a loom.
- Weave a scarf.
- Learn how to plan a warp for fabric for a chosen project.
- Weave a piece of fabric for a cushion cover or small article of your choice.
- Finish your fabric to that it can be cut and sewn.
- Finish the ends of your scarf without knotting.
Sunday, March 28, 2010
Workshops and Courses for 2010
Funky Fancy Yarns Part 2!
Alet has sent use some images of the workshop in her studio in Zeeland, so I've selected a few for you to see the industrious goings on!There were wheels of every type you could imagine and even some drop spindles
were used!
At both venues we were very well fed! And the weather was very kind in Zeeland!
Funky Fancy Yarns
Jane Deane, Amanda Hannaford and I had been invited to tutor two, 2 day workshops in the Netherlands.
The first, organised by Dineke of De Spinners in The Hague included Creative Spinning with Jane, Woollen, Worsted and Cotton with Amanda and Natural Dye Extracts with me! From the Hague we traveled to Zeeland in the south of the Netherlands where Jane tutored a Silk Workshop, Amanda Woollen, Worsted and Cotton again, while I tutored the Funky Fancy Yarn Workshop for Alet.
We were bowled over by the beautiful yarns produced in all the workshops
I hope you are inspired to have a go!
Pure Tinctoria Website
Tuesday, February 16, 2010
Pay it forward, with some caveats...
Since I've just received an email from Lucy asking for my address, I'm so excited and can't wait to see what comes in the post! I'll put up an image when it arrives, but in the mean time, here are the rules!:
The first three people to respond to this post will get something made by me! My choice. For you.This offer does have some restrictions and limitations:
1- I make no guarantees that you will like what I make!
2- What I create will be just for you.
3- It’ll be done this year.
4- You have no clue what it’s going to be.
5- I reserve the right to do something extremely strange.
The catch is that you must repost this on your blog and offer the same to the first 3 people who do the same on your blog. The first 3 people to do so and leave a comment telling me they did win a FAB-U-LOUS homemade gift by me! Oh, and be sure to post a picture of what you win when you get it! Who’s in?
If for some reason three people don't comment within a couple of days I'll open it up to people without blogs... but blog-people get first dibs :)
Wednesday, February 10, 2010
Back in the loop!
I've not really blogged properly for a few months now, what with selection to exhibit in Paris, the birth of my granddaughter, snow and computer problems! Anyway, now that all is a bit quieter and I have a new computer I feel I can now start to blog again.
At the beginning of this year I heard that Craft and Design Magazine are running their awards again so up until 30 April you can vote for your favourite designer make. I'd love it if you would all consider voting for me by following this link: www.craftmaker.co.uk/alisonyule
Alternatively you could go to the website by clicking on the banner, which will take you to the page that tells you all about the awards and how to vote, then just search for Alison Yule!

Publish Post
Many thanks, Alison
Saturday, January 09, 2010
Weavers Knots
http://jennybellairs.blogspot.com/2010/01/fast-pictorial-guide-to-weavers-knot.html
Friday, January 08, 2010
The Textile Blog
http://thetextileblog.blogspot.com
It's a really huge resource and again well worth a scroll down to older posts. The Islamic section has some wonderful patterns.
Wednesday, December 02, 2009
Colour Inspiration
Beautiful colour stripes inspired by the bloggers life and fabulous textiles. Well worth a scroll down the whole page!
Tuesday, November 24, 2009
More Places to buy Pure Tinctoria Extracts
Thursday, November 19, 2009
Saturday, November 07, 2009
Selected to exhibit at Maison & Objet
I can't tell you how excited I am!
Creative Spinning in Kent
Last week end I was invited, by Kent Guild of Spinners, Dyers and Weavers, to tutor a Creative Spinning workshop.This annual members event runs from 11.15am to 3.30pm so there wasn't a lot of time for them to get their heads round Creative Spinning using an image as a source of inspiration.
Here are a few photographs of what can be achieved in so short a length of time!
Inspiration ranged from photographs of gardens;
Im
ages from gardening magazines;
Images from the front of greetings cards;
And images from other magazines.All in all the results were spectacular and all the members who took part felt they'd learnt a great deal about new techniques and how to interpret images into beautiful, inspirational yarns.
By the way, I drove down on the Friday evening, so as to be fresh for the start of the workshop, and stayed with Kent Guild member Valerie Selden and her husband John. They run a lovely B & B in the village of Mersham, called Glebe Place and if you're looking for a place to stop on the way to France or to explore Kent then try their hospitality!
Tuesday, October 20, 2009
100% More Success

Hi all
I've been back about 3 weeks from 100% Design. It was a huge success this year, loads of contacts which I've been following up, and I got an order.
Here's an image of part of my stand, sadly the image of the lovely linen and wool window panel got another image save over, so I can't show it to you. But I'm taking all my pieces to a professional photographer at the end of the month. Hilary Shedel photographed all my "Anthurium" collection and swatches from previous projects so I know they will be great. She has had a lot of high profile clients and her specialism is dance!
Monday, October 12, 2009
Stop Press - Week-end Weaving Course


Hi all
I'm running a rigid heddle (Knitters Loom) weaving course this coming Week-end at Willington Old School, where I run my Monday evening class.
Over the two days of Saturday17 and Sunday 18 October, from 10am to 4pm, you will learn to make warps and weave on a rigid heddle loom, which is ideal for those who want to dip their toe into the Weaving Adventure! On the Saturday you will learn to quick warping method to warp the loom and weave a scarf and on Sunday you will learn to make a warp before warping, use that warp to warp the loom and try one of a number of different finger manipulated weaves to make a second scarf or a sash or a table runner!
The price for the week-end includes tuition, use of equipment, all materials, refreshments and lunch and is £120. I
have two spare places, so if you are interested in booking a place or would like to know more, please contact me at the following website: http://spinningandweaving.weebly.com/contact-me.html If you leave me your telephone number I will ring you back to answer your question or take your booking.The images show some of the things that can be made on a rigid heddle loom, to whet your appetite.
Thursday, September 03, 2009
Are Designers Influenced by Art?
There was a post on the Textile Designers Group of LinkedIn recently asking whether designers are influenced by art and artist which got me thinking.
I love art and, in particular, brightly coloured pieces! I met an artist at Banks Mill Studio's last year, Deborah Allitt, who's work is really beautiful, big, bright, bold and colourful. She uses texture in her work, too, which was also a big draw for me and she's allowed me to use one of her pieces as inspiration for a new collection, which I'll be working on after 100% Design.

Wednesday, August 12, 2009
Why would any one want fabric from a bespoke hand weaver?!
Well, I know a lot of perspective clients ask this question before they even ask to see my work and I can understand their concerns, after all a piece of hand woven fabric is really quite expensive compared to fabric from a retailer who's fabrics are mass produced and repeatable, even though they are beautiful!
So, what can I offer that's different?
Well here's what!
- My fabrics are designed exclusively for you. For example, one of your prize possessions can be used as the design source to ensure that the collection or piece woven by me will sit comfortably in your home and no one else will have anything like it!
- I will only use hand weaving methods that industry can't emulate. I can manipulate my yarns and weaves in ways that industry can only dream about! My designs can be current and cutting edge as a result.
- Top quality yarns, sourced in the UK or Europe, that haven't had to travel thousands of miles from the Far East, are my preferred choice, but I can use yarns that you specify, again ensuring something totally unique for you.
- You will have access to my sketchbooks and mood boards at all stages, enabling you to feel totally informed.
- I will present a set of woven swatches for you to choose from before I start to weave you collection or piece of work.
In short, you will have a collection or piece of work that not only reflects your self and your life style, but will have a little bit of me in it, and after all I'm an award winning textile designer!
Thursday, July 23, 2009
Update on Longdraw Spinning
I've just completed two bobbins of singles yarn spun as I was shown at the workshop run by the Guild of Longdraw Spinners at the Derbyshire Guild a couple of Saturdays ago.I spun part of a beautiful Portland fleece which has loads of crimp, which I hope you can see here. Being very fine and crimpy, I realised, as I was spinning, that I might just have a few problems with this method of spinning as it has a tendency to stretch the fibres and I felt that I might just have a problem with the crimp wanting to relax once plyed and off the bobbin.
You will see from this image just what I mean! I have seen worse, but there is a fair degree of relaxing of the crimp that causes the yarn to be rather unruly, to say the least!
Once I realised what was happening, and remembering how Margaret Stove described how she relaxed the crimp before allowing any twist into the drafted fibres, I began to modify my spinning technique. If you don't know this technique, Margarets book is "Merino - Handspining, Dyeing and Working with Merino and Superfine Wools", ISBN 0-7090-4711-8.Although this isn't a good image, you will see that the plyed yarn, at the top, is not wanting to relax and crimp up again.
So what have I learnt! Well, this method of longdraw is not to be used with very fine, crimpy fleece. Rather, is should be spun using Margaret Stoves method, only allowing the twist into the drafted fibres once the crimp is relaxed. I will try a small sample using my usual longdraw technique, where I prepare the fibres into rolags first and see if that produces a smoother less unruly yarn. I'll let you know anon!
Monday, July 13, 2009
The Guild of Longdraw Spinners
I've been using the longdraw method for quite a few years, mostly with very short fibres, silk noils, cotton, downland fleece, etc., where I prepared small tightish rolags before spinning. However, we were shown how to spin directly from fleece using the longdraw method, so this was something new to me. Pam was very passionate about longdraw and so was an excellent teacher and started by showing us how to twist a lock of fleece before drafting by hand without our wheel! This gave everyone the confidence to add the wheel into the "mix".
By the afternoon we were all spinning with the longdraw method and Pam and her collegues showed us how to us her "Tool Box" to improve our technique! By the time I left the workshop at 4pm I'd just about spun a whole bobbin of my lovely soft Portland fleece, now I've just got to knuckle down and finish spinning the rest of it! Using longdraw of course.
Two things Pam said was that longdraw was quicker than semi-worsted spinning because you get an arms length of fleece at a time which is quicker, but I would dispute that, as you have to ensure you have enought twist in the arms length before allowing the yarn to be pulled on to the bobbin. Her other note was that you should spin "in the grease" for best results. I'm afraid I'm not an advocate of that, I feel you get better results from washing as any dirt, etc., is not trapped in the yarn and is cleaner as a result. She did say, however, that each to there own and there is no right way or wrong way to spin and I do, whole heartedly, agree with that!
If you've always been a little afaid of longdraw spinning, do attend Pam's workshop, it will really give you confidence to have a good go at it.
Thursday, June 18, 2009
Busy, Busy, Busy!
At the end of May I was invited by the York and District Guild to tutor a "Backstrap Weaving Workshop" at Coberhill just north of Scarborough. I had a lovely time, the weather was perfect, although we spent it in doors most of the time, the accommodation and food at Coberhill was good and the people on the course were a delight! When I find my camera I'll post some images!
The following Saturday I was in Amersham talking to the Buckinghamshire Guild about "Creative Spinning". After a terribly rainy start to the journey it ended in sunshine and a rewarding talk to the guild. Another lovely group of people.
Last week-end was our Guild Open Day. Beautiful weather brought out a lot of people and we all had a great time, not least because two of the husbands served the tea and coffee and the wonderful lunch we had all contributed to, leaving us plenty of time to spin, natter and shop with Vicky Smedley of MoBears, Janet Phillips of The Threashing Barn and Michael Williams with his wonderful drop spindles and spinning, weaving and lace making tools, amongst others.
This coming Saturday, I'm off to talk to the Oxford Guild on the Saturday afternoon and tutor a workshop on the Sunday. The talk is about how Jane Deane and I approached the Book and the workshop is "Creative Spinning". I really love what I do and enjoy passing on skills, ideas and encouraging creativity.
Then it's Woolfest! Woo Hoo! It's hard work, but so, so enjoyable and give everyone a great chance to catch up with old and new friends in the spinning, weaving and dyeing world. I for one am looking forward to the buzz of the two days and the Tatty Pot supper and Spin In.
See you there!
Friday, May 22, 2009
New Mini Mill in Derbyshire Dales
I've just been to visit a wonderful new Mini Mill near Sudbury in the south of the Derbyshire Dales. It's actually just off the A50 near the Ashbourne turn off (A515) and a stones throw from the Museum of Childhood.
Karen and Dave Griffiths set it up in April after several months of training in Wales and what's so great it they have very small minimums. Actually as little as a fleece! So if you've got a great fleece that you don't have time to prepare then Karen is your man! In practice, it's obviously worth getting much more processed, but Karen is keen to provide a service for anyone that she will process just one fleece. Take a look at there prices, by following the link above, which I think are very reasonable indeed.
Pattern Design
http://vintagesewing.info/1940s/42-mpd/mpd-01.html
It's all about vintage patterns and sewing using vintage patterns. But what I really like is that it can be used to produce contemporary garments too. I was very impressed with the detail about how to make a calico pattern and how to adapt it by altering dart positions and how to make tucks etc. I've not done this for over 30 years, so it's wonderful to be reminded of how to do it. It's certainly a site I'll be going back to!
Thursday, May 21, 2009
Bella Award
I've been awarded a Bella Award for my blog, which is quite exciting for me, as I've never been given a blog award before.Deb from Herbal Heaven has made the award. Her site is full of wonderful information on all aspects of herbs!
So now I've to nominate 5 blogs for the Bella Award, so here they are:
Growing Colour Tyfu Lliw -This is Helen Melvin's blog about growing dye plants and how she uses them in her work as a felt artist. Helen is a lovely modest person, who's work and practice I'm in awe of.Jenny Dean's Wild Colour - Jenny has been dyeing with natural dyes for as long as I can remember and what Jenny doesn't know isn't worth knowing! Her wealth of knowledge is huge and am very grateful for all the help she has given me through her books.
Curious Weaver - is a blog by Kaz Madigan from Australia. She is a very innovative and knowledgable weaver who is really great at passing on her skills.
A History of Colour by Deb Bamford (The Mulburry Dyer) is another fascinating blog. Deb, a re-enactor, is very passionate about Medival dyeing and another hugely knowledgable dyer.
Leighs Fiber Journal - Leigh is a very generous weaver and spinner who's blog is full of ideas and tips and is a great resourse for all new weavers.
The Rules Of This Award:
Accept the award, post it on your blog together with the name of the person who has granted the award, and his or her blog link.
Pass the award to 5 other blogs that you’ve newly discovered. Remember to contact the bloggers to let them know they have been chosen for this award.
Thursday, May 14, 2009
Warps
I've just been updating some notes for a week-end workshop I'm tutoring near Scarborough in a couple of weeks time. I decided I'd add some photographs to replace the black and white sketches I previously used. As these first images are about making warps I thought it might be a good idea to add them to the blog.On the left you will see the whole warp, 72", wound on the warping posts which I found on Ebay! They are super little posts, very sturdy and enable me to warp in a small area, ideal for workshops. I don't usually make two crosses, but for this project I needed two.
This next image shows the thread used to count the cross. After every ten ends I over-lap the thread at the cross and you will see in the image that I've counted 4 bundles of 10, then I had 9 ends to finish with.You will also see the guide string I use. This has a loop at one end which goes over the first post of the warping board, a knot at the desired length, in this instance 72", and a longish tail to wrap round the last post on the board. I can then determine which is the best route on the board to take the warp for it's desired length.
As I had an odd number of ends, 49 in total for this project, I had to tie the last end to the post on the board, just disappearing out of shot on the first image!
Rhubarb and Custard Update!

Well I've finally managed to take a photograph of my Rhubarb and Custard scarf and here it is.
I can't give you the pattern for this one as it's copyright, but it's knitted on the diagonal.
I spun the Shetland fibres by taking alternate staple lengths of each colour, red lac and marigold. I didn't want precise staples so that I got a good mix of red lac with red lac and marigold with marigold and red lac with marigold when I plied the two singles.
Monday, April 27, 2009
Summer School
It's very sad it's not likely to run, as we've had several people contact us at Fairs and at Jane's Studio, who really wanted it to run, but have been transfered to their second choice.
We have to remain philosophical! We were selected. We didn't change our brief, (as I understand some of the other selected tutors did, when asked to supply information of advertising). And offered to share the tutor's fee between us.
I suspect the poor convenor was coerced into doing the job, as it must be a thankless task, but I hope I'll be able to take Pure Tinctoria dyes to the Summer School Trade Fair instead.
Friday, April 17, 2009
Rhubarb and Custard!

Hi, do you remember the hanks of wool yarn and Shetland tops I dyed at the end of last month, well I've spun up the 2% Red Lac (Rhine-M) and the 2% Marigold (Ambrosia) and here is the result.
I'm really delighted with the hank which is pun on my Jumbo flyer. I took staple lengths of each colour, alternating each colour as I spun. The staple lengths weren't accurately weighed as I wanted some overlap of the colours.
I'm going to knit it into a diagonal scarf, from a pattern I was shown in The Hague at Dineke's workshop last month, which I'm hoping will give me some subtle diagonal stripes. If I have any left I might just get out my Knitters Loom and weave a narrow scarf, too.
Thursday, March 19, 2009
Shetland Tops in Natural Dyes

Well I've spun up one of the Shetland tops I dyed at the demo on Saturday. (Tops 6)
I spun it on Monday and have been knitting a lovely spiral scarf that I was shown in The Hague.
This is the pattern:
Cast on 20 stitches
K one row
*Slip the 1st st, K 8, Yfwd, sl 1 P wise, Turn
P to end (10 st)
Sl 1st st, K 6, Yfwd, sl 1 P wise, Turn
P to end (8st)
Sl 1st st, K 4, yfwd, sl 1 P wise, Turn
P to end (6 st)
Sl 1st st, K 4, (pick up loop under next st and k together with that st, K 1) repeat once, Pick up next loop and k with st. P to end
Repeat from * until desired length is achieved, cast off and secure ends.
It's a really easy and can be knitted in any yarn with any needles! Thanks to Dineke of De Spinners who showed me how!
Monday, March 16, 2009
Hi allon Saturday I was invited to the above event in Derbyshire. In the morning I did a natural dye extracts demonstration and produced the lovely hanks and tops you can see on the right.
The hanks were 95% Blue Face Leicester with a 5% nylon binder and the tops were Shetland.
From the right:
Hank 1 - an immersion bath of Lodhra Bark (Amber-L).
Hank 2 - I painted this one with Annatto (Amazon) and Red Lac (Rhine-M).
Tops 1 - an immersion bath of a mix of Annatto and Red Lac.
Hank 3 - painted with Madder (Indus), Acacia Gum (Caspian) and Kamala (Basant).
Tops 2 - I painted this one with Madder (Indus), AcaciaGum (Caspian) and Myrobalan (Kango).
Tops 3 - this lovely baby pink was an immersion bath of 2% Red Lac (Rhine-M).
Tops 4 - a lovely soft lemon yellow from a 2% immersion bath of Marigold (Ambrosia).
Tops 5 - this is a baby alpaca and bleached tussah silk top painted with Madder (Indus) and Myrobalan (Kango) .
Hank 4 - painted with Madder (Indus), Myrobalan (Kango) and Rhubarb Root (Desert).
Tops 6 - painted with Annatto and Red Lac.
In the afternoon I tutored a Design for the Terrified Master Class. Altogether a very enjoyable day!



























