I've finished weaving the burette and spun silk fabric designed for my client and inspired by their Murano Glass tea light holders.
Here is an images of one of the tea light holders that I used as inspiration for all the cushions.
I colour matched the yarn and dyed with acid dyes.
Here is the fabric, still on the loom.
I crabbed the fabric first, to help keep the texture and set the weaver, then washed in hot soapy water, rinsed and spun dry, before hanging to dry over a clothes airer.
All I've to do now is cut in two and sew into cushions.
Showing posts with label crabbing. Show all posts
Showing posts with label crabbing. Show all posts
Friday, February 11, 2011
Sunday, November 07, 2010
Sett - Part 2
At the beginning of last month I posted about Sett. It's something that's really important to grasp as a new weaver and getting it right comes with practice. At a workshop with a group of newish weavers we had a really good look at Sett and here are the results:
With a 12" rigid heddle loom (Ashford Knitters Loom) we warped with 32 ends (threads) of J. C. Rennie's lovely Supersoft Lambswool (2/6's). Each of us had a different rigid heddle; 5 dent per inch (dpi), 7.5 dpi, 10 dpi and 12 dpi; so each warp was a different width, as you can see below:
In the 5 dpi reed, the 32 end warp was 6" wide and ensuring a balance weave - equal numbers of warp ends to weft picks - 32 picks (threads in the weft) were woven to 6" in length. This was made fairly easy by using a colour and weave pattern in the warp and weft.
On the right the woven swatch has been "finished", that is, crabbed (using a dry cloth with steam iron or a damp cloth with a dry iron) then given a hand hot wash and hand hot rinse and allowed to dry naturally.
The very open weave swatch lost more than 1" all round after finishing! We could have finished more and still maintained the soft handle.
The swatch on the right, here, was woven on the 7.5dpi reed and the 32 ends were 4" wide. After finishing, as above, the resulting balance weave swatch was 3 1/2" wide, with a slightly firmer handle, suited to a masculine scarf.
The small swatch on the left was woven on the 10 dpi reed and the 32 ends were 3" wide. After finishing, as above, the swatch was 2 3/4" all round, with a firm handle, suitable for a blanket.
The 32 ends of this little swatch, were 2.5" in the warp and after finishing like all the previous swatches was 2 3/8" all round. To obtain the balance weave it had to be beaten very firmly and the resulting swatch would be suitable for upholstery fabric.
One outcome of this exercise was that we found it more difficult to maintain a balanced sett with the widely spaced warp than the close sett warp. However, once crabbed and washed the resulting swatch looked fine!
I do hope this was useful, please let me know if you have had similar results.

In the 5 dpi reed, the 32 end warp was 6" wide and ensuring a balance weave - equal numbers of warp ends to weft picks - 32 picks (threads in the weft) were woven to 6" in length. This was made fairly easy by using a colour and weave pattern in the warp and weft.
On the right the woven swatch has been "finished", that is, crabbed (using a dry cloth with steam iron or a damp cloth with a dry iron) then given a hand hot wash and hand hot rinse and allowed to dry naturally.
The very open weave swatch lost more than 1" all round after finishing! We could have finished more and still maintained the soft handle.
The swatch on the right, here, was woven on the 7.5dpi reed and the 32 ends were 4" wide. After finishing, as above, the resulting balance weave swatch was 3 1/2" wide, with a slightly firmer handle, suited to a masculine scarf.
The small swatch on the left was woven on the 10 dpi reed and the 32 ends were 3" wide. After finishing, as above, the swatch was 2 3/4" all round, with a firm handle, suitable for a blanket.
The 32 ends of this little swatch, were 2.5" in the warp and after finishing like all the previous swatches was 2 3/8" all round. To obtain the balance weave it had to be beaten very firmly and the resulting swatch would be suitable for upholstery fabric.
One outcome of this exercise was that we found it more difficult to maintain a balanced sett with the widely spaced warp than the close sett warp. However, once crabbed and washed the resulting swatch looked fine!
I do hope this was useful, please let me know if you have had similar results.
Subscribe to:
Posts (Atom)