![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOG0hhCQGn0kPN0gg4PadPN9wSRsCRWjA9lyWBJ7uz8ZNPMQ-WiUb69D2hGhFJ6uXqtk9IkOfVP4qadJls5sCdJ7F3ArNNTOt4Wsr1SQqvCABQsgPcR_RZv0C6179GcIph6FPe3Q/s200/Newyork1.jpg)
I have been quite busy recently and have not had much time to post on this blog, but one of the things I have been working on was some swatches for the Computer Design Study Group design exercise I posted about earlier this year.
The studies I did on the computer were bases on a section of the New York Skyline, as seen on the right.
I particularly liked the small grey block effects of the window in the top to middle section. I also liked the relationship of the colours, the greys and browns with a little of the blue and turquoise (copper roof!). Another thing that struck me were the vertical oblongs.
With the computer I used a number of effects:- mosaic, wave, stained glass and combinations of these.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM_Emr9gIuVs6i5SMoA7nVb5FnWVBQdrN5cUkg58K3ST-HRTQDF3s3AYQPaXXkVUIQCitDU5cl2M9uTpV3MZGuk4fPmAZG-D5TOlq5_huZnmop9NlGOUuUS2eyYtVrjK4GA9tn/s200/Newyork1mosaic.jpg)
The mosaic effect gave me more of the block and vertical block feeling and concentrated the colours, which really brought home the colour proportion exercise we did earlier. I decided to "lump" some of the colours together, so that I ended with just 4 main colours:- sky blue, turquoise, a marl grey and a marl brown.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI_Xzwtc-8ztIWZKqkRHrLfa9VzXZYmZkHr7G7kMKvaz2mz-MA5IhphmcmNToBG2y6Og_OMbeHpbo7GIF6oCX39ZZhYJgikC07izeCREmYnUoELfTEVSCy3LnNxrSMoCEHCWDk/s200/CDSG12.jpg)
Lumping the colours together gave me proportions of 48% "Rustica" (marled brown with has the red browns, in as well as the dark and lighter browns), 24% "Silver" (marled grey), 13% "Fauna" (turquoise) and 5% "Sapphire" (sky blue). These yarns were purchased from J C Rennie (Smiths of Peterhead). They are a machine knitting yarn, but weave beautifully.
I warped my rigid heddle loom at 14 epi in a log cabin effect of
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuyGKTm4At5rQ-eLuiIw2iIKjduZlnZYN5zXR9pGsAHXUDWLhfeg832Bm2dXkpvCnZD_zAJib7cX9DAnkNo4z-I-hjpaab-Mbnn8pVnAQVMXzZNzUOIEsPhW0XYWutgSb9LWyR/s200/CDSG12+008.jpg)
My first swatch (on the right) was woven as threaded.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUEMxHDEG6pg5TUnUG3rgTIGK5qrALudQgmT4WSSPs47f5MXSRDSvTRXqCXzUYiI3Bay76-dnCcnHTjligt_WlPu5HJycebb7jyrnArvdlSy-CKS7UDDbSqbVUCokYl3XxBOcn/s200/CDSG12+010.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoPjDAP85JKFnjNUBjlGVeCiyaYJVI_J2r4Sl-6WzPiiuLPZAHmBGTy62BSt3_nAHmecFVW8xSHChVoN9tTe3iocaJxvLM6d4ok1xPsQ1SCQOhOeqTgvn8iHFh4ZAyPdiu30ie/s200/CDSG12+009.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHIMxI0K_KvdFgumimtn1Cb7x2B8Vz3exfPedy4C3PjS9E72YPw2qZU4hQSP_QPZ1V4ojHaI3eZymW5d-v41oGDCN2lYpOUlB-dW1VMleUecCrju_unJcVKyKhpDvuTNkAVpza/s200/CDSG12+011.jpg)
Swatch 4 (above) was woven with 1 Silver and 1 Rustica x 4 and 1 Rustica and 1 Silver x 2 repeated the length of the swatch. I felt that the small repeat of 1 Rustica and 1 Silver x 2 was too small.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNBWoVovU1agWrvRCOh-o5kgg4NGXySTCOw-lhl8vZiAmSn_jpwJY7VMMfjXtmYZN8gH9ANPMQ5vyruUVbQ0JAXKtcHDe04lAcTPbbd5i3CH5JblTuLx5X-cbSgGksp5Lwjk4W/s200/CDSG12+012.jpg)
Swatch 5 (above) was woven with 1 Silver and 1 Rustica x 8 and 1 Rustica and 1 Silver x 4 repeated the length of the swatch and I feel this gives a much better representation of the square blocks and vertical blocks.
I have begun to develop this, using the waves and mosaic and wave computer manipulations. More to come!