Indigo

Just before I want to Woolfest I tutored a dye workshop. During the course of the week-end we did some indigo dyeing. I love wool, so naturally I had lots of hanks of yarn, including some lovely Blue-faced leicester gimp.

I had some in hanks and some in centre-pull ball, so in a quiet moment I managed to "dunk" them in the indigo vat.

The first ones to go in where the hanks, which I tightly hanked, giving them a really good twist, until I couldn't twist any more. I then gave them a good wetting out, followed by a good squeeze and placed them one at a time in my vat. I pushed them carefully under the surface then allowed the hank to bob back to the surface.






The image on the left shows, clearly, the coppery coloured film of a vat that is in good order.



Carefully removing the hank, catching any drips in a jug, I allowed the hank to oxydise briefly, before unwinding and hanging on the line to fully oxydise. The image on the right shows the hank as I unwound it before hanging on the line.




Here is the hank hanging on the line to dry after washing and rinsing, with a final rinse with a small amount of vinegar in the water.

Tying the warp to the front apron

I'm often asked why I tie my warp to the front apron in a different way to every one else. Well, simply, it's the way I was taught way back in the mid-60's. I have tried other methods, which make it easier to adjust a knot, but I find the method I was taught is a much more secure method, especially for "slippy", silky yarns.

As you can see I first bring the warp ends under the apron stick!








I then bring the ends up and back over the stick, keeping each half of the bundle on the same side as it went under the stick.








Here each half is crossed around the back of the bundle and brought back up to the front.







Finally the halves are tied on top of the bundle.

If I'm weaving in wool, I very often only tie the one knot for each bundle, it's only when I'm weaving with something slippery that I tie a second knot over the first.



I hope this is of help to those of you who keep asking me!

I'm so excited!!!

Hi all

It only seems a few days since I last posted, but it's two months! Wow, where's the time gone!

Well, I was accepted to exhibit at the Contemporary Craft Fair at Bovey Tracey in Devon. This prestigious fair is by selection only so I'm pretty lucky to get in and will be exhibiting with some wonderful designer makers including Isabella Whitworth, Gracie Burnett amongst others. It takes place from Friday 6 June to Sunday 8 June from 10am to 5pm and I will be launching my new range of British wool scarves as well as exhibiting my wall panels.

More great news for me is that I've been selected to exhibit at 100% Design in London! I'm going with Design Factory (the organisation that represents and helps designer makers in the East Midlands), but it was the eminent panel of 100% Design who selected 11 out of the 20 makers who were sent for selection. I can't tell you how pleased I am!

One slight down side is I have to make my pieces to a colour swatch (see it on the right!). It's certainly not my "cup of tea", but will do me good to design something to such a limiting palette!

Wish me luck!

Design for Creative Spinners

Hi everyone,

I have some exciting new! Jane Deane and I have been accepted to tutor a course at the 2009 Summer School for Weavers, Spinners and Dyers at Lincoln.

Our course is Design for Creative Spinners and we will be taking you through the design process using sketchbooks and easy design tips for those who don't think they can paint or draw! This will be followed by looking at fancy yarn techniques appropriate to your design work and on the last two day you will be making your designer yarns and sampling with knitting or weave!

We are really excited about this opportunity and look forward to meeting some new friends and maybe some old friends, too!

Huck Lace

I finished the huck lace shawls last Sunday and have been frantically trying to find black sewing thread to sew on my labels, so while I searched I took the opportunity to photograph them.

This is the detail of the undulating pattern with dots! Sorry it's not to clear because of the black silk and cashmere. Not my choice, but what I was asked to weave for Shades of Cashmere.

Here is the finished shawl, it's very light.

This is the "Heart" shawl. I don't weave lace very often, as I said before, so am really pleased with the shawls.




This is the detail of the "Heart" shawl. I developed the designs myself, but found I was quite restricted by the fact that I only had 40 dobby bars. I had to reduce the size of the hearts quite a lot. I have made spread sheet to help prevent this happening again, though, which I'm very pleased with!




The yarn is machine washable, apparently, but being 90% silk it does crease, although they do drop out quite quickly. All in all a very pleasing project!

Oh, Dear

Well I've just looked at my last post and must apologise for the photography. I really don't think a black warp was a good idea to show you the way I warp my sectional warp beam, but it was what I was warping at the time! The warp is silk and cashmere and will be a couple of wraps, one for "Shades of Cashmere" and the other for me or to give away.

Shades of Cashmere is a mail order company which specialises in luxury yarns for machine knitters, but the yarns are really lovely and would serve hand weavers too. They can be found at:

Shades of Cashmere
Grove Farm, Wolvey, HINCKLEY, Leicestershire LEIO 3LL
Tel: 01455-220767
Email: shadesofcashmere@hotmail.com

Sectional Warping

Hi all,

At the end of last year someone on the Weave Tech Group was asking about sectional warping and I said I didn't use a bobbin rack, but made small warps on my warping mill. I thought it might be a good idea to show everyone how I do it.

First of all I make small 2" warps on my warping mill which a tie with freezer bag ties to secure the cross and keep the loop open at the beginning.

Bag ties are easy to attach and remove and are re-usable. I cut some of them into two before I start to make the warp as they can be too big.

I then have my loops ready at the back of the loom and attach one to the sectional warp beam and the other end to loop at the end of the warp near the cross. If your not sure how to do this post a comment and I will show you have it's done in another post.



Now I put this little devise into the cross and weight the warp at the front of the loom with a loop of loom cord, a butchers hook and a bottle of wash detergent!

Once the section of warp has been weighted I spread it over a small raddle, that came with my Louet Octado, which is secured to the back beam.

Move the cross to the front of the loom, near the cord and weight, and wind the warp onto the sectional beam until the cross is next to the raddle again. Continue winding the warp and moving the cross until the section is wound onto the beam.

On the left you will see the front cloth beam of my loom with all that is left of the warp where it is being weighted. Once the cord that is attached to the weight gets to this point, I remove the weight and cord then loop an elastic band round the warp end in it's place.

All I do now is wind this last section onto the sectional warp beam and loop the elastic band round the section separator next to the previously wound section.

I do hope this has been of help.

Done the wraps!

Well, I've managed to do some wraps. The images aren't brilliant, but I managed to get some nice effects.

On the left is my "mood board" with some of the wraps pinned to it.

The wrap on the right is in wool and cotton and seem to have captured the dull palette from the last post quite nicely. I might get some nice differential shrinkage with this!

The wrapping on the left has captured the coral colour from the vivid palette, which I liked, and again is in wool and a little cotton. But I have gone a little blue/grey rather than the green/brown in the Colour Palette Generator vivid palette.


These wrapping are too fussy for my liking so I might not pursue them.

In my sketchbook I have done several colour studies and lots of written notes, and have added the computer colour picks too. What's on my "mood board" are duplicates of the computer work that is in my sketchbook.

Jane Deane and I will be doing a Sketchbook Workshop with the Online Guild of Weavers, Spinners and Dyers in February.

Back Blogging at Last!!

Oh dear, I have had so many "life" things to deal with, not least a leak from our immersion heater, that I've not had time to do much work. I am supposed to be putting a couple of portfolio's together, one for my apparel textiles and one for interior textiles.

Finally sat down today to work on the Donnington Le Heath picture I posted way back in January!
I have got a number of pictures and sketches in my sketch book and have done a few wrappings, but decided to run the picture through Colour Palette Generator and got some nice colours. The beauty of the CPG is how it narrows down the colours. When looking at colour on your own, there is a tendency to choose too many colours which can makes a weave look too busy.

Color Palette Generator

Enter the URL of an image to get a color palette that matches the image. This is useful for coming up with a website color palette that matches a key image a client wants to work with.

URL of image:

dull #445533 #998877 #ffffff #bbaa99 #887766

vibrant #556611 #bb9966 #ffffff #eecc99 #aa9944

These colours are lovely, I particularly like the coral colour in the vibrant palette.

I think it would be a good idea to isolate a section of the building:

this is the section and it's interesting to see what colours the CPG has generated!

dull #998877 #aaaa99 #eeddcc #ddbbaa #777766

vibrant #bbaa66 #ccccaa #ffffdd #ffddaa #888866

I love the dull palate again, I think it's the greys and pinks, but I also love the coral in the vibrant palette. I can't make my mind up which palette I prefer, so I will have to have a play with my yarns and do some wrappings, the actual yarn will give me a better feel.

So off to do some wrappings and have a think about what kind of weave to use!

See you later, have a lovely Christmas.

Rigid Heddle Loom Week-end

Back in October I tutored a week-end course for Skylark Holidays. The subject was an introduction to using a rigid heddle loom or Knitter Loom.

I had a great time teaching 3 lovely ladies who were really enthusiastic about learning to weave. They didn't want to learn on 4 shaft looms which they perceived to be less portable and more complicated. One had been told by members of her guild that "a rigid heddle loom wasn't a real loom". What sad narrow minded people they are! As I pointed out to her Thailand, Guatamala, Mexico, to name but a few countries, all have traditions of weaving on "back-strap" looms which are little more that rigid heddles with extra sticks and look what fabulous textiles come from them! All I can say is they are "loom" or "shaft" snobs".

Anyway, they had a thoroughly enjoyable time and produced two lovely pieces of weaving, each. Alas, I had planned to photograph them with their work, but we suddenly realised what time it was and they had to rush off to get home in a reasonable time. I have my work to show you, a scarf in Colinetter Prism and a table runner in Colinette Wigwam and Giotto.


For those of you who are new to weaving I thought I would show you how to mend weaving "skips", those annoying little mistakes which occur when one or two warp threads stick together and instead of going under one and over one you end up with a section where you go under one, over three or over one and under three as in the case on the left!



Thread a large eyed needle with your weft yarn and, starting about 8 or so warps threads away from the skips, follow the path of the weft thread with your needle, leaving a tail.







When you get to the skips, follow the correct path, over one and under one, weaving in the skipped warps. Continue past the now woven in skips following the path of the weft thread until you are 8 or so warps past where the skips were, again leave a tail.





When you have mended all the skips wash your piece of weaving and when it's dry cut the tails. Press your work and you won't know where the skips had been!

Natural dyeing in Mexico

Try this lovely slide show to see the beautiful natural dyes used in Mexico. It is truly inspiring and uplifting.